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Illustration of the Bar, Afternoon Ensemble by Christian Bérard - 1947.
Christian Bérard (20 August 1902 – 11 February 1949), also known as Bebè, was a French artist, fashion illustrator and designer.
Fashion model underwater in a dolphin tank, Marineland, Florida by Toni Frissell, 1939
Young Couple, unknown artist - 1912 - Wien Museum
Léon Bakst for the ballet Choreographer Vaslav Nijinsky Music Claude Debussy Based on L'Après-midi d'un faune - 1912.
The ballet, The Afternoon of a Faun (French: L'Après-midi d'un faune), was choreographed by Vaslav Nijinsky for the Ballets Russes, and was first performed in the Théâtre du Châtelet in Paris on 29 May 1912. Nijinsky danced the main part himself. The music is Claude Debussy's symphonic poem Prélude à l'après-midi d'un faune. Both the music and the ballet were inspired by the poem L'Après-midi d'un faune by Stéphane Mallarmé. The costumes and sets were designed by the painter Léon Bakst.
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Costume design for the ballet The Firebird ( L'Oiseau de feu) by Léon Bakst - 1913
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Damenconfectionhaus, Mayer Sundheimer by Ludwig Hohlwein - 1909.
Poster advertising the ladies' store Mayer Sundheimer,
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Alexandra Exter Guardian of Energy - Costume design for the film Aelita by Yakov Protozanov - 1924.
Aelita, also known as Aelita: Queen of Mars, is a 1924 Soviet silent science fiction film directed by Yakov Protazanov and produced at the Mezhrabpom-Rus film studio. It was based on Alexei Tolstoy's 1923 novel of the same name. Nikolai Tseretelli and Valentina Kuindzhi were cast in leading roles.
Though the main focus of the story are the daily lives of a small group of people during the post-war Soviet Union, the film's enduring importance comes from its early sci-fi elements. It primarily tells of an engineer Mstislav Sergeyevich Los (Russian: Лось) traveling to Mars in a rocket ship, where he leads a popular uprising against the ruling group of Elders, with the support of Queen Aelita who has fallen in love with him after watching him through a telescope. In its performances in the cinemas in Leningrad, Dmitri Shostakovich played on the piano the music he provided for the film.
In the United States, Aelita was edited and titled by Benjamin De Casseres for release in 1929 as Aelita: Revolt of the Robots.
Les Modes, Evening Dress - 1911
Advertisement for Corsets and Underwear - 1898
Advert for a clothing sale at Snelgrove and Allen, which lists the types of clothes on sale, 1901.
Red Collar by Yamakawa Shuho - 1928
Robert Calvin : Hand Glove Advertisement - c. 1938
Portrait of two men with hats, anonymous, c. 1880 - c. 1900
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Lettie van Lier-van Wijk, fashion model, Jacob Merkelbach, 1920 - 1930
Back view of fashion models in swim suits 1950 Toni Frissell.
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Gazette du Bon Ton magazine, 1920 - No. 4, p. XXVIII_ advertentie Weil Paris, Lucien Vogel, 1920.
The Gazette du Bon Ton was a small but influential fashion magazine published in France from 1912 to 1925. Founded by Lucien Vogel, the short-lived publication reflected the latest developments in fashion, lifestyle and beauty during a period of revolutionary change in art and society.
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Midnight! - or the fashionable apartment by Henri Reidel, after George Barbier - 1920. (Minuit!.. ou l'appartement à la mode.) Detail from Le Bonheur du Jour; ou, Les Graces à la Mode, 1924.
Leonetto Cappiello, Poster, 'Corset Le Ferret', 1901
Rugby Costume tailleur de Redfern by George Barbier 1914.
Die Kunst der Nadel - Ausstellung der Arbeitsschule der Frau Anita Müller 1916 (The art of the needle - exhibition of the work school of Mrs. Anita Müller)
The Fashion Magazine as Temptress by G-P. Joumard, 1925.
The first fashion magazines were sold only by subscription. They have nondescript covers, with neither text nor image. This changed at the end of the 19th century when the publications came to be displayed in stands and shops. Publishers went to great lengths to entice potential buyers by means of attractive covers. - Rijksmuseum
The Fashion Magazine as Temptress, 1928.
The first fashion magazines were sold only by subscription. They have nondescript covers, with neither text nor image. This changed at the end of the 19th century when the publications came to be displayed in stands and shops. Publishers went to great lengths to entice potential buyers by means of attractive covers.
- Rijksmuseum
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To your happy flying time, Is, dear youth, this penny print print dedicated by TJ Wijnhoven Hendriksen - 1832-1849.
Vicereine - A shoe of high degree for women of quality - c.1905
Girl in a Modern Gown by Childe Hassam - 1922
George Barbier : fashion plate entitled L'Ilot, plate number VII, from Modes et Manières d'Aujourd'hui, 1914
Costumes Parisiens, Journal des Dames et des Modes, 1913 - by George Barbier (1882–1932)
Hardy, Dudley, 1867-1922: la fabrique de chaussures (Bottes et Souliers) - Abbots Phit-Eesi - 1897.
Costume study for Chestakov by Alexandra Exter - 1941.
Theater Costumes Project by Christian Bérard (1902-1949)
Blake Bros clothes store by Bob Hyde. Taken in the West End of London in the 1960s.
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Léon Nikolaievitch Bakst : The Butterfly (Costume Design for Anna Pavlova), 1913, watercolour and graphite pencil on paper MFA Boston.
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Fashion Model Natahli (Natalie) Nickerson Paine a wearing bikini, lying on a platform near water, Montego Bay, Jamaica - November 1946 - by Toni Frissell
Ludwig Hohlwein (1874-1949): 'CHAUSSURES AMERICAINES' lithograph in colours, 1908.
Manchester City Belts & Chicken For Sale by Iain S.P. Reid, Manchester, circa 1977. Copyright: Estate of Iain S.P. Reid. Not to be used for any purpose without permission.
Woman wearing tennis outfit, seated on wall, with one leg on top of wall, looking at the mountains behind her. Photograph by Toni Frissell, published in Harpers Bazaar, February 1947.
