Print Name
It Was a Religious Mystery by Maurice Denis - ca.1897–1899
Print Description
It Was a Religious Mystery (Ce fut un religieux mystère (ca.1897–1899) by Maurice Denis. Original from The Public Institution Paris Musées.
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It Was a Religious Mystery (Ce fut un religieux mystère (ca.1897–1899) by Maurice Denis. Original from The Public Institution Paris Musées.
Poster for N.V. Het Toneel. Dir. Willem Royaards. Lucifer treurspel van Vondel (Lucifer tragedy by Vondel). Muziek van Hubert Cuyper. Ontwerp, decor, costuums van R.N. Roland Holst., Richard Nicolaüs Roland Holst, 1910
The God of Long-Life Writing, anonymous, c. 1837
Christ Before the High Council by Wilhelm Morgner - 1913
From £25.00 GBP
Beheading of Saint Catherine - c. 1480 - 1490
Giovanni da Modena, The Inferno (detail) - 1410, Basilica di San Petronio, Bologna.
Hieronymus Bosch : Death and the Miser - c. 1485/1490.
Death and the Miser (also known at Death of the Usurer) is a Northern Renaissance painting by Hieronymus Bosch produced between 1490-1516 in Northern Europe. It is a memento mori painting, which is meant to remind the viewer of the inevitability of death and the futility of the pursuit of material wealth, illustrating the sin of greed.
Angel of the Revelation (Book of Revelation, chapter 10) by William Blake - ca. 1803–5
Brunnhilde (The Twilight of the Gods) by Odilon Redon - 1894
£55.00 GBP
Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve - And She Shall be Called Woman) by William Blake - 1803
God Judging Adam by William Blake - c. 1795.
Behemoth and Leviathan by William Blake - 1826
Circle of Thieves- Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dante's Inferno, Canto XXVV William Blake c.1825.
£65.00 GBP
Nuns Clamming on Long Island by Toni Frissell 0- September 1957
From £50.00 GBP
Battle at Lanka, between the armies of Rama and the King of Lanka, 1649-1653.
£30.00 GBP
Au Pays De La Vierge’ (In the Land of the Virgin) by Henri Bellery-Desfontaines (1867-1909) - 1896
Kedara Ragini c. 1650 - Central India, Rajasthan, Malwa school, 17th century.
In 1889, James Ensor took on religion, politics, and art in this scene of Christ entering contemporary Brussels in a Mardi Gras parade.
Ensor's society is a mob, threatening to trample the viewer - a crude, ugly, chaotic, dehumanized sea of masks, frauds, clowns, and caricatures. Public, historical, and allegorical figures, along with the artist's family and friends, make up the crowd. The haloed Christ at the center of the turbulence is in part a self-portrait: mostly ignored, a precarious, isolated visionary amidst the herdlike masses of modern society. Ensor's Christ functions as a political spokesman for the poor and oppressed--a humble leader of the true religion, in opposition to the atheist social reformer Emile Littré, shown in bishop's garb holding a drum major's baton and leading on the eager, mindless crowd.
- Getty
After rejection by Les XX, the artists' association that Ensor had helped to found, the painting was not exhibited publicly until 1929. Ensor displayed Christ's Entry prominently in his home and studio throughout his life. With its aggressive, painterly style and merging of the public with the deeply personal, Christ's Entry was a forerunner of twentieth-century Expressionism.
Hanuman with the sun in his tail carrying the Mountain of Healing Herbs. Gouache drawing. India Wellcome Library no. 25957i. Date unknown.
£40.00 GBP
Print made by William Blake, 1757–1827, British, Jerusalem, Plate 97, Yale Center for British Art.
William Blake : The Temptation and Fall of Eve (Illustration to Milton's Paradise Lost), 1808, watercolour, Museum of Fine Art, Boston.
£100.00 GBP
Varāha is the boar incarnation of Vishnu. According to an old legend of the BrāhmanasVishnu assumed the form of a boar and after a contest of a thousand years he eventually slew the demon and raised the earth.
£60.00 GBP
The new Master of the Dresden Prayer Book (Flemish, active about 1480 - 1515) - The Temperate and the Intemperate, ca. 1475.
'The anonymous illuminator known as the Master of the Dresden Prayer Book was a painter of tremendous originality. Named after a book of hours now in Dresden, he worked in Bruges from around 1465 until about 1515. At a time when artists favored elaborate costumes and contrived postures, this illuminator gave his figures a sweeter, more innocent quality. He had an uncanny ability to locate the humor or irony in a familiar story, and he showed particular sympathy for coarse or simple characters. The novelty of his colors--including bright oranges, teals, burgundies, rich blues, and sometimes black--often arranged in surprising combinations, further attests to the refreshing originality of his art.'
Getty Center.
£60.00 GBP
The entrance to hell guarded by Sin and Death. Stipple engraving by F. Bartolozzi, 1792, after Thomas Stothard.
Edvard Munch (Norwegian 1863 -1944) : Madonna, 1895-6. Handcoloured lithograph in black on mottled gray-blue wove paper. Art Institute of Chicago.
Dulle Griet (Mad Meg) entering hell. Mezzotint by Richard Earlom after David Teniers, 1786. Wellcome Collection
The miser in hell. Mezzotint after D. Teniers the younger. Teniers, David, 1610-1690.
£40.00 GBP
Master of the Murano Gradual (Italian, active about 1430 - 1460) - Saint Jerome Extracting a Thorn from a Lion's Paw, Getty Center shop ready
An Eye in a Star by J. Chapman - after A.D. Macquin, January 1820.
Shiva sits on a tiger skin with sitar in hand. Gouache painting by an Indian artist. A so-called Kalighat painting - 1800s.
Cecil Beaton : The ruins of the Great Synagogue in Dukes Place, London, which was destroyed by an air raid on the evening of Saturday 10 May 1941.
Svami Hamsasvarupa's Shatchakra niroopana chittra with bhashya and bhasha containing the pictures of the different nerves and plexuses of the human body with their full description showing the easiest method how to practise pranayam by the mental suspension of breath through meditation only.
Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros – Compendium of Demonology and Magic , written in German and Italian, ca. 1775.
Folio 19 recto. Wellcome Library
Jan van Loon (engraver, artist) : Situs Terrae circulis coelestibus circundatae (The position of the Earth surrounded by the spheres of Heaven) - From Harmonia Macrocosmica by Andreas Cellarius , Amsterdam , 1660 , printed by Jan Jansson
Biblioteca comunale di Trento.