Landlord John Loftus serving Bass the donkey a beer at The Manby Arms Pub in Stratford East London by Steve Lewis - 1960s. 

A 100% organic cotton tote bag featuring a design for the poster and cover for 'The Raven' by Édouard Manet - 1875.

- 140 gsm
- 100% organic cotton
- Long handle (70 cm)
- Cross stitch at the handle for more support
- Folded seams to prevent shrinkage
- Dimensions: 38 x 42 cm

Chinese Pattern from L'Ornement Polychrome by Albert Racinet (1825–1893) - 1888.

Zilverreiger in De Regen (Heron in the Rain) by Ohara Koson, 1925 - 1936. 

Linze (Lens culinaris) by Anselmus Boëtius de Boodt - 1596 - 1610.

Anselmus de Boodt or Anselmus Boëtius de Boodt (Bruges, 1550 - Bruges, 21 June 1632) was a Flemish humanist, mineralogist, physician and naturalist. Along with the German known as Georgius Agricola, de Boodt was responsible for establishing modern mineralogy. De Boodt was an avid mineral collector who travelled widely to various mining regions in Germany, Bohemia and Silesia to collect samples. His definitive work on the subject was the Gemmarum et Lapidum Historia (1609).

De Boodt was also a gifted draughtsman who made many natural history illustrations and developed a natural history taxonomy.

Things Look Better - Rural Electrification Administration, U.S. Department of Agriculture - Lester Beall, 1930 (Library of Congress)

Aulostoma chinense - 1700-1880 - Print - Iconographia Zoologica - Special Collections University of Amsterdam.

Joris Hoefnagel, Animalia - Animalia volatilia et amphibia (aier), Plate LXVIII, c. 1575-1580 National Hallery of Art , Washington DC

Animalia Aqvatilia et Cochiliata (Aqva) by Joris Hoefnagel c.1575-1580, National Gallery of Art , Washington DC.

Old Lady Smoking in Lambeth by George Kindbom - 1979.

A goddess on a flowering plant holding a baby elephant, could either be Lakshmi or Parvati. Watercolour drawing. Kalighat, India, 19th century - Wellcome Institute.

Destroyed in the fire of the Museo de Arte Moderna do Rio de Janeiro on July 8th, 1978.

Walrus, from the Lombard Album, ca. 1550 -1570. Unknown artist, possibly from the Netherlands, Rijskmuseum.

Fantastische waterdieren, onder andere zeepaard by Nicolaes de Bruyn, Netherlands, 1581 - 1656, hand coloured engraving Rijksmuseum

Three hares swimming in a river, woodcut, 1547 - Wellcome Institute. 

Wild Boar amidst Autumn Flowers and Grasses Mori Sosen (Japan, 1747-1821) circa 1800, Hanging scroll; ink and colour on silk, LACMA.

Two stag beetles crawling over a map of the world underneath a large mandible. Coloured etching by George Edwards, 1694-1773. Wellcome Collection.

War Effort draft poster by designer Tom Purvis, 1939-1945.

'Tom Purvis was born in Bristol and studied at Camberwell School of Art. He spent six years with the advertising firm Mather and Crowther, and before working freelance whilst studying lithography at the Avenue Press. He had a unique gift for solving complicated visual problems by producing a simple design in sharp bright colours and basic shapes. Purvis worked for the LNER (London and North East Railway) from 1923-43 and his most accomplished work for them comprised six posters collectively titled East Coast Joys detailing the various pastimes that could be enjoyed at the seaside without referring to any particular locality or town. The posters formed a continuous scene when shown together. His pared down designs for the men’s tailor, Austin Reed, and Canadian Pacific shipping line caught the glamour and elegance of the 1930s.

'He was one of the first eleven Royal Designers for Industry in 1936. During the Second World War he was commissioned as a war artist by the Ministry of Supply and for companies such as Pilkington Glass and Rolls Royce. After the war he abandoned poster design to paint portraits and, in his last years, religious pictures. He died on 27 August 1957.'

Utagawa Yoshikazu (Japanese, active c. 1850–70) : Picture of Large Elephant from India (Tenjiku hakurai dai zo no shashin), An Attraction at Ryogoku in the Eastern Capital 1863.

Master of the Murano Gradual (Italian, active about 1430 - 1460) - Saint Jerome Extracting a Thorn from a Lion's Paw, Getty Center shop ready

Georges Seurat : Monkey, 1884. Conté crayon - Metropolitan Museum of Art.

Poster showing a man with a lion's head reading Shakespeare. Artist: Adolph Friedländer. Date: c.1913

Bruno Liljefors (14 May 1860 – 18 December 1939): An Eagle Owl. Date: 1905. Via the National Museum (Stockholm).

Illustration showing a rattle-snake (Vipera caudisona Americana). Inset are the rattle with 24 joints, a cross-section of the rattle, and a tooth or fang through which venom passes when the snake bites its prey. The colour of the head of this rattle-snake is brown, the eye red, the upper part of the body a brownish-yellow, transversely marked with irregular broad black stripes. The rattle is of a brown colour - 1731.

Golden Pheasant in the Snow c. 1900 - Itō Jakuchū (伊藤 若冲, 2 March 1716 – 27 October 1800) was a Japanese painter of the mid-Edo period when Japan had closed its doors to the outside world.

Dog's head (1920) by Julie de Graag (1877-1924). Original from the Rijks Museum.

Poster for Thurston, master magician and his pets 1898. Howard Thurston was a stage magician from Columbus, Ohio, United States. His childhood was unhappy, and he ran away to join the circus, where his future partner Harry Kellar also performed.

Sidney Hall - Urania’s Mirror , “Aries and Musca Borealis”, plate 16 in Urania's Mirror, a set of celestial cards accompanied by A familiar treatise on astronomy ... by Jehoshaphat Aspin. London. Astronomical chart, 1 print on layered paper board : etching, hand-coloured . Library of Congress.

Joris Hoefnagel, Animalia Rationalia et Insecta (Ignis)- Plate II, watercolor and gouache, with oval border in gold, on vellum, page size (approximate): 14.3 x 18.4 cm. National Gallery of Art Washington DC

From the series called Animalia rationalia et insecta (ignis); Animalia quadrupedia et reptilia (terra) ; Animalia aquatilia et conchiliata (aqua); and Animalia volatilia et amphibia (aier) (also referred to as the Four Elements), ca. 1575-80

Butterfly, Marine Mollusk, and Pear by Joris Hoefnagel & Georg Bocskay - plate from Mira calligraphiae monumenta - 1561

Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)
 Butterfly, Marine Mollusk, and Pear, 1561–1562; illumination added 1591–1596, Watercolors, gold and silver paint, and ink on parchment
Leaf: 16.6 × 12.4 cm (6 9/16 × 4 7/8 in.), Ms. 20 (86.MV.527), fol. 118
The J. Paul Getty Museum, Los Angeles, Ms. 20, fol. 118

An ideal scene of the Lias period with two sauropods in the sea. Wood engraving by Édouard Riou from a Terre avant le déluge (English title: The World before the Deluge), by Louis Figuier, 1863 (Wellcome Library)

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Sidney Hall - Urania’s Mirror , ‘Canis Major, Lepus, Columba Noachi & Cela Sculptoris’ - 1825 - plate 30 in Urania's Mirror, a set of celestial cards accompanied by A familiar treatise on astronomy ... by Jehoshaphat Aspin. London. Astronomical chart, 1 print on layered paper board : etching, hand-coloured . Library of Congress 

Gustave Doré : The Monkey and the Dolphin, a scene from the book Fontaine's Fables, Engraving, 1885.

Sidney Hall : Urania's Mirror - Taurus., 1825. "Taurus", plate 17 in Urania's Mirror, a set of celestial cards accompanied by A familiar treatise on astronomy ... by Jehoshaphat Aspin. London. Astronomical chart, 1 print on layered paper board : etching, hand-coloured. Library of Congress.

Stephoidea - from Ernst Haeckel's Kunstformen der Natur (Art forms of Nature) of 1904.

Maria Sibylla Merian : Surinam Caiman biting South American False Coral Snake, 1719  - The Getty , LA.

Queen of Spain Fritillary, Apple, Mouse, and Creeping Forget-Me-Not - Joris Hoefnagel & Georg Bocskay - plate from Mira calligraphiae monumenta. 

Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)
Queen of Spain Fritillary, Apple, Mouse, and Creeping Forget-Me-Not, 1561 - 1562; illumination added 1591 - 1596, Watercolors, gold and silver paint, and ink on parchment
Leaf: 16.6 × 12.4 cm (6 9/16 × 4 7/8 in.), Ms. 20 (86.MV.527), fol. 47
The J. Paul Getty Museum, Los Angeles, Ms. 20, fol. 47.

Richard Doyle : The Fairy Queen Takes an Airy Drive in a Light Carriage, a Twelve-in-hand, drawn by Thoroughbred Butterflies, 1870, from the series In Fairyland: A Series of Pictures from the Elf-World, 
Engraved and printed in colour by Edmund Evans (British, Southwark, London, The Metropolitan Museum of Art, NYC).

Gustave Doré : engraving 1868 - The Council of Rats.

Goya - What a Golden Beak! From Los Caprichos, 1799

Francisco Goya y Lucientes , What a golden beak! Alternate Title: ¡Que pico de oro! Portfolio: Los Caprichos, plate 53 Spain, 1799 Prints; etchings Etching, burnished aquatint and burin , 21.27 × 13.65 cm . LACMA (63.11.53).

Sour Orange, Terrestrial Mollusk, and Larkspur, Joris Hoefnagel & Georg Bocskay, plate from Mira calligraphiae monumenta. 

Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)
Sour Orange, Terrestrial Mollusk, and Larkspur, 1561 - 1562; illumination added 1591 - 1596, Watercolors, gold and silver paint, and ink on parchment
Leaf: 16.6 × 12.4 cm (6 9/16 × 4 7/8 in.), Ms. 20 (86.MV.527), fol. 33
The J. Paul Getty Museum, Los Angeles, Ms. 20, fol. 33.

Utagawa Hiroshige (1797 - 1858) : 
Suidobashi Surugadai [Suido Bridge and Surugadai], from the series Meisho Edo hyakkei [One Hundred Views of Famous Places of Edo]. 1857.

Utagawa Hiroshige (Japanese 歌川 広重), aka Andō Hiroshige (Japanese 安藤 広重; 1797 – 12 October 1858) : Travellers on horseback in the snow, woodblock colour print. between circa 1835 and circa 1837.

Spumellaria - from Ernst Haeckel's Kunstformen der Natur (Art forms of Nature) of 1904.

Sidney Hall : Urania’s Mirror , "Monoceros, Canis Minor and Atelier Typographique", plate 31, in Urania's Mirror, a set of celestial cards accompanied. A familiar treatise on astronomy ... by Jehoshaphat Aspin. London. Astronomical chart, 1 print on layered paper board : etching, hand-coloured - 1824. Library of Congress.